弱繪畫
Weak Painting
2009.8.14 ─ 2009.09.20
關渡美術館 KDMOFA
近來影像與科技藝術在台灣當代藝術大量盛行，有著相對而言舊有的、傳統名稱的繪畫在當代藝術中該如何 發展?
電子媒體與網路尚未興盛前，印刷術主導所有知識媒介，導致知識朝向強調專門化的分類學科發展，藝術相 對應成為現代藝術中強調其媒材的固有特色、純粹性與獨特性。然而現今在資訊快速傳播、各類資訊同時性展 現、馬賽克式透過電子媒體混凝我們的知覺與認知，藝術產生新的影響成為ㄧ種跨領域、語言訊息大於物質訊 息的變化。在創作已開放範疇、媒材的情況下，繪畫該如何發展?我們該如何看一幅畫?
In recent years, works of image and techno art have boomed in Taiwanese contemporary art. How will the genre of painting which seems relatively old and conventional, further evolve against this trend?
Before the electronic media and the Internet gained popularity, printing had been the dominant means facilitating the spread of knowledge, which resulted in the classification and specialization of academic disciplines, and influenced modern art in terms of the emphasis on the essential feature of the medium, purity and uniqueness. In contrast, nowadays, as the electronic media enables information to communicate at a high speed, and the data of all sorts to juxtapose, creating an information mosaic which integrates our perception and cognition, art undergoes a new transformation that conveys more interdisciplinary linguistic messages than material messages. How will the genre of painting evolve with the openness of art forms and media? And how should we see a painting?
〔設計／Designed〕和設計
〔年份／Year〕2009
〔年份／Year〕2009